Concerti, spettacoli dal vivo, djset e film-concerti: il programma musicale di Euganea Film Festival.

EFF Live

large_7e61bebe7104448ca83025ca76c21fc9.jpg

medium_7e61bebe7104448ca83025ca76c21fc9.jpg

small_7e61bebe7104448ca83025ca76c21fc9.jpg

thumbnail_7e61bebe7104448ca83025ca76c21fc9.jpg

7e61bebe7104448ca83025ca76c21fc9.jpg

Godzilla is the King of the Monsters. Godzilla is an icon. Godzilla is everywhere.
The giant Japanese monster has stormed the mediasphere for seventy years, ever since it burst onto the scene in 1954 like a nuclear explosion—shaking up the Japanese cultural industry and embedding itself in the global collective imagination.

The original film—titled Gojira, a blend of gorira (“gorilla”) and kujira (“whale”)—directed by Ishirō Honda, is an apocalyptic parable that dredges up the suppressed trauma of Hiroshima and Nagasaki.
It now takes on new life with a **unique live soundtrack performance by Marco Fasolo (Jennifer Gentle) and C+C=Maxigross**.

Ishirō Honda (1911–1993) was a Japanese director, best known for directing the original Godzilla (1954) and pioneering the kaiju genre. His work combines social critique and entertainment, leaving an indelible mark on Japanese cinema and global pop culture.

Marco Fasolo is a musician, composer, and producer. He is the founder and frontman of Jennifer Gentle, the first Italian band signed by the legendary label Sub Pop.

C+C=Maxigross is a psych-folk collective. In 2025, they released their ninth album, Nuova Era Oscura – Vol.1, on the Dischi Sotterranei label.

🎟️ Get your ticket on [Evients](https://www.evients.com/events/godzilla-sonorizzazione-live-di-marco-fasolo-e-ccmaxigross/49f8d009ca3e47d7adb060947eeb28fc)!

Godzilla è il re dei mostri. Godzilla è un’icona. Godzilla è ovunque. Il mostro gigante giapponese imperversa nella mediasfera da settant’anni, da quando, nel 1954, esplode come una detonazione nucleare, sconvolgendo l’industria culturale giapponese e penetrando nell’immaginario collettivo globale.

Il film originale – all’anagrafe Gojira, fusione di gorira (“gorilla”) e kujira (“balena”) – diretto da Ishirō Honda, è una parabola apocalittica che riporta in superficie il rimosso di Hiroshima e Nagasaki.
Prende ora nuova vita con un’**inedita sonorizzazione dal vivo di Marco Fasolo (Jennifer Gentle) e C+C=Maxigross**.

Ishirō Honda (1911–1993) è stato un regista giapponese, celebre per aver diretto il film originale Godzilla (1954), pionere del genere kaiju. Le sue opere uniscono critica sociale e intrattenimento, lasciando un segno indelebile nel cinema giapponese e nella cultura pop mondiale.

Marco Fasolo è musicista, compositore e produttore. Fondatore e leader dei Jennifer Gentle, prima band italiana pubblicata dalla storica etichetta Sub Pop.

C+C=Maxigross è un collettivo psych-folk. Nel 2025 ha pubblicato il suo nono album, Nuova Era Oscura – Vol.1, per l’etichetta Dischi Sotterranei.

🎟️ Acquista il biglietto su [Evients](https://www.evients.com/events/godzilla-sonorizzazione-live-di-marco-fasolo-e-ccmaxigross/49f8d009ca3e47d7adb060947eeb28fc)!

GODZILLA – sonorizzazione live di Marco Fasolo e C+C=Maxigross 

At the end of the Sanctuary Way stands the architectural complex known as Villa Duodo, built by the noble Venetian Duodo family on the site of the ancient castle known as San Giorgio.

On the right, the oldest wing dates back to 1593 and is the work of architect Vincenzo Scamozzi. The front section, added in 1740, is the most recent.
To the left of the complex lies the exedra dedicated to Saint Francis Xavier, a grand stone staircase from the 1600s.

Villa Duodo

GODZILLA - live soundtrack by Marco Fasolo and C+C=Maxigross

large_livrea3.JPEG

medium_livrea3.JPEG

small_livrea3.JPEG

thumbnail_livrea3.JPEG

livrea3.JPEG

Livrea is a singer-songwriter blending poetry, jazz influences, and psychedelia to create a unique musical universe. In 2023, she released her debut album _Il canto del villaggio_, praised by Rockit as «nocturnal, gentle yet sharp and multifaceted». In 2025, she embarks on a collaboration with producer Duck Chagall, resulting in _Diario di scavo_, an album with an organic sound embracing nu soul, psychedelia, and songwriting.


Livrea è una cantautrice che intreccia poesia, influenze jazz e psichedelia per creare un universo musicale unico. Nel 2023 ha pubblicato il suo album d’esordio Il canto del villaggio, definito da Rockit come un lavoro «notturno, soave ma, al contempo, graffiante e multiforme». Nel 2025 inizia un percorso con il produttore Duck Chagall, che dà vita a Diario di scavo, un disco dal sound organico che abbraccia nu soul, psichedelia e cantautorato

nu soul / experimental pop

Livrea

Villa Pisani is located in the historic center of Monselice next to the "Bisatto", a canal connecting Padua and Montagnana, once navigable. The edifice was built in the XVI century for Francesco Pisani di Zuanne (1514-1567), a noble patrician of Venice, who used it as a country house, a dwelling to stop by on the occasion of his frequent travels from and to Montagnana, where the wealthy family resided.
Villa Pisani, Riviera G. B. Belzoni 22, Monselice PD.&nbsp;

Villa Pisani

large_Arianna_Lontano1.jpeg

medium_Arianna_Lontano1.jpeg

small_Arianna_Lontano1.jpeg

thumbnail_Arianna_Lontano1.jpeg

Arianna_Lontano1.jpeg

Arianna Pasini, born in 1993 in Romagna, is a musician and singer-songwriter who combines her Visual Arts background with a vibrant musical career. 

Since 2021, she has worked as a multi-instrumentalist both in studio and live, collaborating with notable acts such as Generic Animal, Any Other, Soviet Soviet, Andrea Poggio, Giungla, and Don Antonio Gramentieri. 

In 2024 she released her debut solo album _Verso una Casa (Brutture Moderne)_, warmly received by critics and listed among the best albums of the year by Rockit.it. This success brought her to major stages like the MI AMI Festival and the Triennale di Milano. 
In 2025, she released the single _Lontano_, confirming her artistic path blending alternative pop, folk, rock, and experimentation.


Arianna Pasini, musicista e cantautrice romagnola nata nel 1993, combina il suo background in Arti Visive con una carriera musicale intensa. Dal 2021 è polistrumentista in studio e live, collaborando con formazioni note come Generic Animal, Any Other, Soviet Soviet, Andrea Poggio, Giungla e Don Antonio Gramentieri. 

Nel 2024 pubblica il suo primo album solista _Verso una Casa (Brutture Moderne)_, accolto con entusiasmo dalla critica e inserito tra i migliori dischi dell’anno da Rockit.it. Il successo l’ha portata su palchi importanti come il MI AMI Festival e la Triennale di Milano. 

Nel 2025 esce il singolo _Lontano_, che conferma il suo percorso artistico tra alternative pop, folk, rock e sperimentazione.



alternative pop 

Arianna Pasini 

Immersed in a marvelous secular park adjacent to the medieval walls of the Carrarese castle of Este, is the Barchessa. An elegant historical building dating back to the eighteenth century carefully restored by the owners. The neoclassical facade is characterized by an imposing loggia supported by Doric columns, which connects two perfectly symmetrical buildings. The exterior of the building is embellished by decorative elements such as the frieze with triglyphs interspersed with metopes and finely carved festoons above each of the main doors and on the lintel of the loggia.&nbsp;

Barchessa di Vigna Contarena

medium_DSC_0202.png

small_DSC_0202.png

thumbnail_DSC_0202.png

DSC_0202.png

_Licheni_ is a "live documentary", where the projected images narrate the journey of the author and performer, accompanied on stage by two musicians and, on video, by other women whose stories and destinies intertwine—fragile yet resilient. It is an emotiography of melting glaciers, leading to an exploration of our most intimate anxieties through mountains, roots, distance… and those lichens that keep climbing. Lichens are like human beings: strong and incredibly fragile at the same time, in a constant search for balance. They keep climbing higher and higher, heading toward the peaks in search of coolness, undertaking a journey essential to their survival. But where do lichens go when they climb? The legends of the Alps come to our aid in trying to understand the unfathomable; Alpine mythology leads us to those highlands where man ought to tread lightly like a guest—yet behaves like a ruined master.

by Alessandra Celesia
writing collaboration: Marco Bosonetto
with: Alessandra Celesia
music: Stefano Risso
performed by: Stefano Risso (double bass and electronic music) and Christian Thoma (oboe and bass clarinet)
lighting: Rocco Andreacchio
video editing: Francesco Rey
scientific consultancy: Deborah Isocrono, Italian Lichenological Society

Alessandra Celesia is an Italian filmmaker, performer, and writer. Her work blends documentary, theatre, and poetry, exploring personal and collective memory. Based in Paris, she creates hybrid performances. Her last film _The Flats_ won the Top Awards at CPH:DOX in 2024.

Un documentario live di e con **Alessandra Celesia**
Musiche di Stefano Risso, eseguite da Stefano Risso e Christian Thoma

_Licheni_ è un “documentario live”, dove le immagini proiettate raccontano il viaggio dell’autrice e attrice, accompagnata in scena da due musicisti e nel video da altre donne con le quali si intrecciano storie e destini, fragili e resistenti. Un’emozionografia sullo scioglimento dei ghiacci che porta ad esplorare le inquietudini più intime, attraverso le montagne, le radici, la lontananza… e quei licheni che continuano a salire. I licheni sono come gli esseri umani, forti e fragilissimi allo stesso tempo, nella continua ricerca di un equilibrio. Salgono sempre più in alto, vanno verso le vette per cercare frescura, fanno il viaggio necessario alla loro sopravvivenza. Ma dove vanno i licheni quando salgono? Le leggende delle Alpi vengono in soccorso per capire l’insondabile, la mitologia alpina ci porta in quelle terre alte in cui l’uomo dovrebbe penetrare in punta di piedi come un ospite, invece si comporta come un padrone distrutto.

di Alessandra Celesia
collaborazione alla scrittura: Marco Bosonetto
con: Alessandra Celesia
musiche: Stefano Risso
eseguite da Stefano Risso (contrabbasso e musica elettronica) e Christian Thoma (oboe e clarinetto basso)
luci: Rocco Andreacchio
montaggio video: Francesco Rey
consulenza scientifica: Deborah Isocrono, Società Lichenologica Italiana

Alessandra Celesia è regista, attrice e autrice italiana. Il suo lavoro unisce documentario, teatro e poesia, esplorando la memoria personale e collettiva. Il suo ultimo film _The Flats_ ha vinto il premio come miglior film a CPH:DOX nel 2024.


Licheni - Alessandra Celesia

The current castle of Este was built in the years 1339-1340, on the initiative of the Lord of Padua Ubertino da Carrara. With a wall perimeter about 1000 m long, defended by 14 towers (now reduced to 12) and lying on the slopes of Mount Murale, this fortress has actually replaced the first castle, that of the Marquis of Este, built on the hill area since the eleventh century and seriously damaged by the wars of '200 and '300. In the fourteenth century, after having incorporated the flat area to the south and east of the original nucleus, the castle of Carrara housed in its interior troop quarters, armories, stables, perhaps even homes, remaining separated from the village of Este through the channel Sirone that ran along the current Via G. Negri. The castle, with its two "maistre" towers, the one at the top and the one at the Porta del Soccorso (which opens towards Baone), remained intact for over two centuries, until it was purchased by the powerful Venetian Mocenigo family in the second half of the 16th century. The inland area, instead, now devoid of any military use, already after the Venetian conquest at the beginning of the 15th century began to undergo changes in use, with the planting of orchards, the cultivation of part of the land and even the construction of small houses to house the "fittavoli". Between the seventeenth and eighteenth centuries, under the ownership of the Mocenigo family, a vast garden was created, extending as far as the foothills on either side of a scenic staircase. The sculptures still visible today on the southern side of the castle date back to this period. A devastating fire in 1785 caused the destruction of the east wing of the Venetian palace; in the first half of the 19th century the whole complex was bought by the Trieste family, and then passed to the Da Zara brothers, who in 1887 sold it to the Municipality. Once it became public property, the monument changed its use again: the surviving wing of Palazzo Mocenigo was chosen as the prestigious seat of the city's archaeological museum (which later became the national museum), while the north-eastern area of the Carrarese castle was used as the Foro Boario, i.e. the place for the cattle market. The eighteenth-century park underwent a radical transformation in the years 1914-15, when it was decided to resitemare the green area, already used as a public garden. The works involved the demolition of the steep Venetian staircase and the creation of sloping terraces. This is how the Italian gardens as we know them today take shape, with orderly avenues and geometric flowerbeds, which preserve several centuries-old plants. The most noteworthy are the monumental wisteria (which overlooks the secondary door on the south side of the walls) and some specimens of cedars of Lebanon and the Himalayas.&nbsp;
Giardini di Este, via Guido Negri, 35042 Este PD, Italia.&nbsp;
In case of rain: Teatro dei Filodrammatici, Via Calle della Musica 13, Este (PD).&nbsp;

Giardini di Este

medium_mic.jpg

small_mic.jpg

thumbnail_mic.jpg

mic.jpg

regione-veneto.jpg

medium_reteventi_2025.png

small_reteventi_2025.png

thumbnail_reteventi_2025.png

reteventi_2025.png

medium_FCRPR-CONTRIBUTO-LOGO COLORI.png

small_FCRPR-CONTRIBUTO-LOGO COLORI.png

thumbnail_FCRPR-CONTRIBUTO-LOGO COLORI.png

FCRPR-CONTRIBUTO-LOGO COLORI.png

este.png

monselice.png

montegrotto.png

afic.jpg

thumbnail_Associazione-La-Vespa.png

Associazione-La-Vespa.png

large_LevanteSCS_logo (1).jpg

medium_LevanteSCS_logo (1).jpg

small_LevanteSCS_logo (1).jpg

thumbnail_LevanteSCS_logo (1).jpg

LevanteSCS_logo (1).jpg

thumbnail_morrione.jpg

morrione.jpg

large_solar-cinema.png

medium_solar-cinema.png

small_solar-cinema.png

thumbnail_solar-cinema.png

solar-cinema.png

large_cartello umdg (1).png

medium_cartello umdg (1).png

small_cartello umdg (1).png

thumbnail_cartello umdg (1).png

cartello umdg (1).png

wow-nature.jpg

small_Screenshot 2025-07-03 101203.png

thumbnail_Screenshot 2025-07-03 101203.png

Screenshot 2025-07-03 101203.png

padova.png

parco-colli.png

thumbnail_baone.jpg

baone.jpg

thumbnail_comune-battaglia.jpg

comune-battaglia.jpg

galzignano.jpg

thumbnail_COMUNE DI PERNUMIA.png

COMUNE DI PERNUMIA.png

torreglia.png

thumbnail_logo DiSSGeA 1087.png

logo DiSSGeA 1087.png

large_LOGO_COLORI_ISTITUZIONALI_EASY.png

medium_LOGO_COLORI_ISTITUZIONALI_EASY.png

small_LOGO_COLORI_ISTITUZIONALI_EASY.png

thumbnail_LOGO_COLORI_ISTITUZIONALI_EASY.png

LOGO_COLORI_ISTITUZIONALI_EASY.png

aperdifiato.jpg

large_bike-point.png

medium_bike-point.png

small_bike-point.png

thumbnail_bike-point.png

bike-point.png

medium_ezme.png

small_ezme.png

thumbnail_ezme.png

ezme.png

thumbnail_grafica-atestina.png

grafica-atestina.png

thumbnail_pel-di-carota.jpg

pel-di-carota.jpg

large_OLA-Logo.png

medium_OLA-Logo.png

small_OLA-Logo.png

thumbnail_OLA-Logo.png

OLA-Logo.png

large_Logo per sponsorizzazioni_TMB_page-0001.jpg

medium_Logo per sponsorizzazioni_TMB_page-0001.jpg

small_Logo per sponsorizzazioni_TMB_page-0001.jpg

thumbnail_Logo per sponsorizzazioni_TMB_page-0001.jpg

Logo per sponsorizzazioni_TMB_page-0001.jpg

thumbnail_Logo_Mail_Advista.png

Logo_Mail_Advista.png