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Sezione non competitiva, dedicata esclusivamente alle tematiche ambientali a carattere divulgativo.

EFF Hab

Italia

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L’orto del mondo II

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The Teatro dei Filodrammatici was inaugurated in 1978 but was built on the ruins of the former Oratory of the Holy Spirit, probably built at the end of 1600. The hall is run with regular prose seasons from autumn to spring. Numerous companies have been guests there; an almost complete showcase of the amateur (and sometimes professional) activity of the Triveneto, with a very wide repertoire, that privileges above all the Veneto theater. Parallel to the show business, the Calle della Musica theater performs other complementary functions: it hosts, for example, concerts, screenings, conferences, book presentations and other social and cultural initiatives. In one of the most characteristic locations in the center, with its intimate and welcoming appearance (also following a recent restoration), we can well say that the Teatro dei Filodrammatici has taken on the role of the city's "public lounge". 
Teatro dei Filodrammatici , Via Calle della Musica, 13, 35042 Este PD.

Teatro dei Filodrammatici

Francia

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Filante

Repubblica Ceca

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World I Live In

Regno Unito

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In Our Hands

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The Last Garden

Stati Uniti

Colombia

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Presentazione del libro _Cose belle dal mondo per non pensare che va tutto male_ (Rizzoli, 2024) con la coautrice Camilla Soldati (Lifegate). Modera Marco Milan.

Di notizie positive oggi abbiamo bisogno come dell’ossigeno. _Cose belle dal mondo per non pensare che tutto va male_ nasce proprio da questa esigenza, da una gentile ribellione al flusso di informazioni negative che ci assale da anni. Il libro raccoglie 250 storie meravigliose su ambiente, diritti e innovazione, ispirate dalla rubrica Instagram di LifeGate. Non si tratta di guardare il mondo con le lenti rosa, ma di prestare attenzione a ciò che fa rilassare e reagire, per provare a migliorarlo. È un invito a scoprire le cose belle spesso nascoste intorno a noi, per chi è ottimista e per chi è pessimista, perché il cambiamento positivo sta già accadendo e possiamo farne parte.

**Camilla Soldati** è coordinatrice della redazione di LifeGate, per cui scrive di conservazione, diritti umani e ambientali, per amplificare le voci di chi fa la differenza per il nostro Pianeta e raccontare storie che possono ispirare un cambiamento positivo.

L'incontro si terrà domenica 7 settembre alle ore 18:30 presso il Teatro dei Filodrammatici di Este. 

Presentation of the book _Cose belle dal mondo per non pensare che va tutto male_ (Rizzoli, 2024) with the co-author Camilla Soldati (Lifegate). Moderated by Marco Milan.

Today, we need positive news as much as oxygen. _Cose belle dal mondo per non pensare che tutto va male_ was born from this very need, a gentle rebellion against the constant flow of negative news that has overwhelmed us for years. The book gathers 250 wonderful stories about the environment, rights, and innovation, inspired by LifeGate’s Instagram column. It’s not about seeing the world through rose-colored glasses, but about paying attention to what soothes and motivates us to improve it. It invites us to discover the often hidden beautiful things around us, for both optimists and pessimists alike, because positive change is already happening, and we can be part of it.

Camilla Soldati is the editorial coordinator at LifeGate, where she writes about conservation, human and environmental rights, aiming to amplify the voices of those making a difference for our Planet and to share stories that can inspire positive change.


Cose belle dal mondo per non pensare che tutto va male - Camilla Soldati

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Euganea Film Festival rende omaggio a Maura Delpero con una retrospettiva dedicata alla sua filmografia. La regista sarà ospite del Festival domenica 7 settembre per un incontro con il pubblico.

Vincitore del Leone d’argento alla Mostra del Cinema di Venezia, salutato da un solido riscontro al botteghino della passata stagione, _Vermiglio_ (2024) ha messo d’accordo critica e pubblico, posizionando la sua autrice, Maura Delpero, al centro del discorso cinematografico italiano e internazionale – spingendo il film sino in corsa ai Golden Globe.
Le ragioni di questo successo, che solo per disattenzione si potrebbe giudicare inatteso, vanno ricercate nella parabola coerente di una regista che, in appena una manciata di opere, ha saputo affinare uno sguardo di singolare profondità e limpidezza: il cinema umanista di Delpero vive del fertile dialogo tra una ricerca quasi etnografica nel suo incedere e una felice immediatezza della sintassi filmica, si tratti di cinema documentario o di finzione.
Le storie di Delpero inseguono donne e uomini nel rapportarsi fra loro e con l’ambiente circostante, dove un’attenzione speciale è portata sul microcosmo delle comunità montane, dall’esordio _Moglie e buoi dei paesi tuoi_ (2006) a _Vermiglio_.
Euganea Film Festival, che nelle passate edizioni ha con preveggenza presentato _Signori professori_ (2008) e _Nadea e Sveta_ (2012), per la 24ª edizione omaggia la regista bolzanina con una ricca retrospettiva delle sue opere.


The Euganea Film Festival pays tribute to Maura Delpero with a retrospective dedicated to her filmography. The director will be a guest at the Festival on Sunday, September 7, for a meeting with the public.

Winner of the Silver Lion at the Venice Film Festival and greeted by solid box office results last season, _Vermiglio_ (2024) has won over critics and audiences alike, placing its author, Maura Delpero, at the center of Italian and international cinema discourse—and propelling the film into the Golden Globe race.
The reasons for this success, which only through carelessness could be considered unexpected, can be found in the consistent trajectory of a director who, in just a handful of works, has been able to refine a singularly profound and clear vision: Delpero's humanist cinema thrives on the fertile dialogue between an almost ethnographic approach and a joyful immediacy of filmic syntax, whether in documentary or fiction cinema.
Delpero's stories follow women and men in their relationships with each other and with their surroundings, with a special focus on the microcosm of mountain communities, from her debut _Moglie e buoi dei paesi tuoi_ (2006) to _Vermiglio_.
The Euganea Film Festival, which in past editions presciently presented _Signori professori_ (2008) and _Nadea e Sveta_ (2012), pays tribute to the Bolzano-born director in its 24th edition with a rich retrospective of her works.

Maura Delpero's cinema: A Conversation with the Filmmaker

Il cinema di Maura Delpero, incontro con l'autrice

The current castle of Este was built in the years 1339-1340, on the initiative of the Lord of Padua Ubertino da Carrara. With a wall perimeter about 1000 m long, defended by 14 towers (now reduced to 12) and lying on the slopes of Mount Murale, this fortress has actually replaced the first castle, that of the Marquis of Este, built on the hill area since the eleventh century and seriously damaged by the wars of '200 and '300. In the fourteenth century, after having incorporated the flat area to the south and east of the original nucleus, the castle of Carrara housed in its interior troop quarters, armories, stables, perhaps even homes, remaining separated from the village of Este through the channel Sirone that ran along the current Via G. Negri. The castle, with its two "maistre" towers, the one at the top and the one at the Porta del Soccorso (which opens towards Baone), remained intact for over two centuries, until it was purchased by the powerful Venetian Mocenigo family in the second half of the 16th century. The inland area, instead, now devoid of any military use, already after the Venetian conquest at the beginning of the 15th century began to undergo changes in use, with the planting of orchards, the cultivation of part of the land and even the construction of small houses to house the "fittavoli". Between the seventeenth and eighteenth centuries, under the ownership of the Mocenigo family, a vast garden was created, extending as far as the foothills on either side of a scenic staircase. The sculptures still visible today on the southern side of the castle date back to this period. A devastating fire in 1785 caused the destruction of the east wing of the Venetian palace; in the first half of the 19th century the whole complex was bought by the Trieste family, and then passed to the Da Zara brothers, who in 1887 sold it to the Municipality. Once it became public property, the monument changed its use again: the surviving wing of Palazzo Mocenigo was chosen as the prestigious seat of the city's archaeological museum (which later became the national museum), while the north-eastern area of the Carrarese castle was used as the Foro Boario, i.e. the place for the cattle market. The eighteenth-century park underwent a radical transformation in the years 1914-15, when it was decided to resitemare the green area, already used as a public garden. The works involved the demolition of the steep Venetian staircase and the creation of sloping terraces. This is how the Italian gardens as we know them today take shape, with orderly avenues and geometric flowerbeds, which preserve several centuries-old plants. The most noteworthy are the monumental wisteria (which overlooks the secondary door on the south side of the walls) and some specimens of cedars of Lebanon and the Himalayas.&nbsp;
Giardini di Este, via Guido Negri, 35042 Este PD, Italia.&nbsp;
In case of rain: Teatro dei Filodrammatici, Via Calle della Musica 13, Este (PD).&nbsp;

Giardini di Este

Argentina

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Maternal

L’orto del mondo II

Giovanni Cioni • Italia • 2025

L’orto del mondo II

Giovanni Cioni • Italia • 2025

Sinossi

Biografia e filmografia